The introduction to the book by Ruta Saliklis gave me great insight into the Lithuanians’ close personal affinity to wood and wood sculpture throughout their history. If you have been reading my blog, you know that this personal harmony with wood, and the spiritual nature of trees, is a recurring theme. Here is an excerpt from the Introduction of the book:
“Vast Forests once covered Lithuania. Evidence of the importance of woods in Lithuanian culture can be found in folklore, religion and mythology. The Lithuanian language itself shows the importance by the numerous words for woods, depending on the type of trees within them. Lithuanians see wood not merely as an organism, but as a vibrant living entity. Thus traditionally a tree can only be chopped down during the dormancy of winter. In pre-Christian times certain groves of trees were considered sacred and no one (not even the King) would dare cut a tree from such a grove, or even take wood from the ground.”
The entire subject of Lithuanian wood sculpture and folk art is very interesting for a number of reasons. First, the Lithuanians were the last of the Europeans to be Christianized. This happened in the late 14th century. The close connection to their pagan past, as well as the conversion of pagan symbols to Christian ones, is reflected in their wooden sculpture. Also, they have been many political changes over the past few centuries. A great deal of their wooden sculpture is an expression of their resentment to occupation and oppression by other nations. Much of this is done in a coded message of symbols included in the carved object. The book goes into wonderful detail about the history of Lithuanian wood folk sculpture; more than I can talk about here.
Most northern European cultures (German, Polish, Danish, etc.) were big on wood carving, but it seems that the Lithuanians had them all beat. I get the feeling that every Lithuanian baby is given a set of carving gouges along with a teething ring.
Most of the sculpted wood carvings shown in the book are now on display at the Lithuanian Museum of Art in Lemont, Illinois, just outside of Chicago. I would enjoy going there someday to experience this art in person.
Are you familiar with Lithuanian wood carvings and their significance? If not, you might enjoy doing some research on Google. Tell me what you think.
slowdeath-azab. Being of lithuanain descent I can concur that there is a strong spiritual connection to not only living wood , there is also a revernce for the beauty that lies within the patterns in the dead wood and a personal connection to the cycles of groves and forests. There is comfort in the forests. Almis Zab
ReplyDeleteOne of the many Lithuanian saying or legends about trees states - The Oak is the strongest tree and if you hug an Oak you will derive some of its strength. So Lithuanians were the original tree huggers! When we spent the month of May, 2009 in Lithuania, my husband tried it out - he hugged a huge old oak - yep, it works! He's still going strong!
ReplyDeleteAs an woodcarver in Ireland, I was delighted to come across this fascinating article. Great pictures too !! Can you put any more pictures please ?? The man who taught me woodcarving, Liam Roe (of Raheny, Dublin, in Ireland) always told us to plant trees as 'the wood we are using was planted by someone else probably before we were even born ! We must carry on that cycle for the next generation " I have followed his advice, growing hardwood trees from seed (Oak, Ash, Walnut, Sweet Chestnut, Hazel, Holly) and planting them out after 5 years or so. 🙂
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