As I mentioned in a previous post, I have been experimenting with creating things out of old cigar boxes. I’ve been using carving, pyrography and decoupage to transform these old wooden boxes into interesting works of art. The photo above shows a “good” result: a jewelry box for my daughter made from beautiful sapele wood with a nice thick top for carving. Unfortunately, on some other attempts I ran into problems. I’m glad the boxes are inexpensive, because a lot of them wind up on the scrap wood pile. Most of them are made to look exquisite in the cigar store, but a closer inspection shows their flaws. Here are some of the problems I have found working with recycled wooden cigar boxes. I hope you an learn from my experiences and save yourself some grief.
Severe Warping – Cigars demand a moisture rich environment. The wood for the box is probably newly cut and very moist. The air in the cigar store is kept humid. Then you bring the empty wooden box home to an atmosphere that is very dry by comparison. The result is severe warpage. See the photo below. Beautiful wood…nice box shape…but totally useless.
Laminated Wood and MDF – Some boxes are painted or stained. You sand of the finish only to find medium density fiberboard or cheap plywood. Bummer! The plywood is also a prime candidate for warping.
Label Removal – Otherwise known as a time-consuming exercise in screaming and cu
Cheap Hardware – Don’t expect the hinges and clasps to be top quality. In some cases, you might want to replace them with better hardware.
As a result of all this, I have become pickier at the cigar box bin. I now know what brands of cigar have the best boxes to work with. I still enjoy recycling these old ladies into beautiful maidens.




Lately I have really been immersing myself in the flowing beauty and simplicity of Art Nouveau and the Arts and Crafts Movement that flourished in the early years of the 20th Century. The Art Nouveau style is exemplified by artistic geniuses such as Alphonse Mucha, Gustav Klimt, Louis Comfort Tiffany and Charles Rennie Mackintosh. During the same time period, other artisans such as Gustav Stickley, Elbert Hubbard, and Charles Rohlfs, and architects such as Frank Lloyd Wright and Greene & Greene contributed to what came to be known as the Arts and Crafts Movement. Both movements became interwoven and formed a new design style which was a deliberate departure from the overly ornate Victorian style that preceded it. Each artist, artisan and architect had his or her own style, yet each expressed a common belief in simplicity of form and a communion with nature. The art of this period took a critical look at the new age of machinery and mass production. As an alternative, it emphasized hand craftsmanship and locally skilled creative workers.


